Tammy Rae Carland

	Lives and works in Oakland, CA. Represented by Silverman Gallery, San Francisco, CA EDUCATION
	1995		Whitney Museum Independent Study Program, New York, NY
	1994		MFA, University of California at Irvine, Irvine, CA
	1991		BA, The Evergreen State College, Olympia, WA

	SELECTED SOLO EXHIBITIONS
	2008		Archive of Feelings, Silverman Gallery, San Francisco, CA
	2003		someone else’s yesterday, Spanganga Gallery, San Francisco, CA
	2002		Beds and Letters, Spring Street Gallery, New York, NY
			The Academic Eye, Lesbian Beds, Duke Museum, Durham, NC
			On Becoming - Billy and Katie 1964, Franklin Center, Durham, NC
	2001		photobacks, Partobject Gallery, Carboro, NC
	1999		Queer Youth, Lump Gallery, Raleigh, NC
	1998		Random Letters to Ransom Girls, Lump Gallery, Raleigh, NC
	1997		On Becoming - Billy and Katie 1964, The Ackland Art Museum, Chapel Hill, NC
	1996		This Is A Why Her And Why Not Me Story, Emison Art Center, Greencastle, IN
	1995		Odd Girl Out, LACE (Los Angeles Contemporary Exhibits), Los Angeles, CA

	SELECTED GROUP EXHIBITIONS
	2009		Hysteria, Paul Robeson Gallery, Rutgers University, Newark New Jersey
			Twice Upon A Time, Silverman Gallery, San Francisco CA
	2008		Twice Upon A Time, Galerie Andreas Huber, Vienna Austria
			If Only Love Could Have Saved You, You Would Have Lived Forever, Bellwether Gallery, NY
			That We Rhyme, Yerba Buena Center for the Arts, San Francisco, CA
			Heroes, Lump Gallery, Raleigh, NC
			The Great Lesbian Art Show, Leslie/Lohman Gallery, New York, NY
	2007		Heroes, Bryce’s Barbershop, Olympia, WA
	2006		GRAY AREA Uncertain Images: Bay Area Photography 1970’s to Now, Sonoma Art Musuem, Sonoma, CA
	2004		Dreamscapes, University art Gallery, University of California, Irvine, CA
			Subject to Oneself, PLAySPACE, CCA, San Francisco, CA
			Felix Variations, PLAySPACE, CCA, San Francisco, CA
			The Big Ballyhoo, The Lab, San Francisco, CA
			GRAY AREA Uncertain Images: Bay Area Photography 1970’s to Now, The Wattis Institute, San Francisco, CA
	2003		(r)Evolution of Gender, SomArts, San Francisco, CA
	2002		Towards Tomorrow, Lump Gallery, Raleigh, NC
	2000		Ladyfest, Olympia, WA
	1999		Post PC, Post Gallery, Los Angeles, CA
			Artist/Audience, The Greenhill Center, Greensboro, NC
			By Any Means, The Ackland Art Museum, Chapel Hill, NC
	1998		Tuff and Tender, Lump Gallery, Raleigh, NC
	1996		Gender Fuck, COCA (Center of Contemporary Art), Seattle, WA
			Alter Image, 450 Broadway Gallery, New York, NY
	1995		Is A Why Her And Why Not Me Story, The Whitney Independent Study Program, New York, NY
	1994		Obsessed: Ruminations in 'Zine Culture, Re: Solution Gallery (LACPS), Los Angeles, CA
			Bodily Functions, Carolina Union Gallery, Univ. North Carolina, Chapel Hill, NC
	1993		Superwoman, University of California Irvine Fine Arts Gallery, Irvine, CA

	SELECTED SCREENINGS
	2009		Across A Queer Time and Place, The Garage, San Francisco, CA
			Brooklyn is Burning, Monkey Town, Brooklyn NY
	2008		Deep House Hell, ATA, San Francisco CA
	2005		cry for everything bad that’s ever happened, international performance venues (Eastern and Western Europe, Japan,
			United States) with the band Le Tigre
	2003		Point Blank, New Langton Arts, San Francisco, CA
			Queerly Classed, Squeaky Wheel, Buffalo, NY
			Queerly Classed, MIX '03 New York Experimental Video Festival, New York, NY
	2002		Cry for everything bad that’s ever happened, national venues on tour with the band Le Tigre
	2001		Towards Tomorrow, Sound Unseen, Weisman Art Museum, Minneapolis, MN
	2000		gurl.com Film and Video Festival, New York, NY
	1999		Voices From The Other Side of The Wall, Women in the Director’s Chair Festival, Chicago, IL
			Art/Activism, Film Video Forum, Brown University, Providence, RI
			Faking it. MIX '99 New York Experimental Video Festival, The Anthology Film Archives, New York, NY
	1998		Bent Is Beautiful, University of North Carolina, Chapel Hill, NC
			MIX '98 New York Experimental Video Festival, The Anthology Film Archives, New York, NY
			I Came With The Rodeo, The Point, Atlanta, GA
	1997		If Only You Were More Like Me, Artist Television Access (ATA), San Francisco, CA
			MIX '97 New York Experimental Video Festival, The Anthology Film Archives, New York, NY
			My Failure to Assimilate, Artist Television Access (ATA), San Francisco, CA
			Image and Nation Film Festival, Montreal, Canada
	1996		MIX '96 New York Experimental Video Festival, The Anthology Film Archives, New York, NY
			New York Lesbian & Gay Film Festival, Joseph Papp Theater, New York, NY
			Miss Moviola Project, A traveling video compilation chain letter
			R&R Reels Film and Video Showcase, The Rexal Rose, Portland, OR
			Dirty Bird, Artist Television Access (ATA), San Francisco, CA
	1995		Berlin International Film / Video Festival, Berlin, Germany
			San Francisco International Gay & Lesbian Film/Video Festival, San Francisco, CA
			Reel Time, P.S. 122, Performance Space 122, New York, NY
			Way Out, Segue Space, New York, NY
			No More Sweets For You, Randolph Street Gallery, Chicago, IL New York Lesbian & Gay Film Festival,
			Joseph Papp Theater, New York, NY
			Evergreen State College Film / Video Festival, Olympia, WA
	1994		Growing Up Female, Film and Video Festival University of Michigan, Ann Arbor, MI
			Out About Age, Artist Television Access (ATA), San Francisco, CA
			MIX '94, New York Experimental Video Festival, The Anthology Film Archives, New York, NY

	CURATORIAL PROJECTS
	2002		Towards Tomorrow, Lump Gallery, Raleigh, NC – Photography exhibition
			Calling All Kings and Queens, produced in Durham, NC – a compilation music CD which includes 18 bands
	2001		with a production run of 5,000
			Faking it. MIX '99 New York Experimental Video Festival, The Anthology Film Archives,
	1999		New York, NY – Video art program
			The New Women’s Music Sampler, produced in Durham, NC – a compilation music CD which includes 12 bands
			with a production run of 5,000
	1998		Bent Is Beautiful, University of North Carolina, Chapel Hill, NC – Video art program
			Mr. Lady Presents, Artist Television Access, San Francisco, CA – Video art program

	SELECTED BIBLIOGRAPHY: REVIEWS, INTERVIEWS, REPRODUCTIONS, RADIO / TELEVISION
	2009		Editor, Capricious Magazine No. 14, pending publication
			Feature, Artist Pages, Tammy Rae Carland, Hot and Cold Magazine No. 10, pending publication
			Feature, Artist Pages, Tammy Rae Carland, Fotograf Magazine, Prague, pending publication
			Article, Art Issues: The young and hungry have arrived, by Franklin Melendez, San Francisco Magazine, April 2009
	2008		Review, Tammy Rae Carland, Silverman Gallery, Artforum, by Glen Helfand, October 2008
			Review, Heart Shaped Box, by Johnny Ray Houston, San Francisco Bay Guardian, June 25, 2008
			Artist Pages, An Archive of Feelings, Picktogram, Magazine, Poland
			Review, Tammy Rae Carland: An Archive of Feelings, by Victoria Gannon, KQED Arts, On-line site for radio
			station, July 10, 2008
			Review, Loaded and subtle discourse in queer artists exhibitions, by Jano Cortijo, Edge San Francisco,
			On-line Magazine, July 3, 2008
			Review, If Love Could Have Saved You, You Would Have Lived Forever, by Joel Wethrow, Flovorpill,
			July 2008, On-line Magazine
			Review, Love Forever at Bellwether, by Yaelle Amir, ArtSlant, July 13 2008, On-line Magazine
			Article, 20 Most Influential Lesbian Professors, Curve Magazine, March 2008, pages 31-35
			Artist Pages, Encyclopedia volume 2, I-J, Published by Encyclomedia, edited by Tisa Bryant, Miranda Mellis and
			Kat Schatz, pending Publication
	2007		Radio interview, The Future of Photography, Forum with Michael Krasney, KQED, San Francisco, CA (Sirius satellite)
	2006		Review, Grrlz on film, by Amanda Davidson, San Francisco Bay Guardian, June 21-27, 2006, page 20
	2005		Artist pages, Big Magazine , #54, 8 reproductions
	2004		Artist Pages, LTTR, Issue No. 3, July 2004, pages 6-9
			Review, Home Work, by Carl Nagin, San Francisco Weekly , February 4-10, 2004, pages 42-43
			Review, Better Homes and Galleries, by Johnny Ray Houston, San Francisco Bay Guardian,
			January 14, 2004, page 50
	2003		Review, Age of Ambivalence, by Glen Helfand, San Francisco Bay Guardian, December 24, 2003, page 40
			Review, A Few Odd Girls Out Leave Behind the Old New Queer Cinema, by Ed Halter,
			The Village Voice , November 19-25, 2003
			Article, Dish, by Nancy Millar, Jane, Jan/Feb 2003 46
			Review, by Thurston Moore, The Wire , January 2003, page 47
			Review, Spin, February 2003, page 22
			Television interview, Self Made Culture, In the Life, originally aired January 2003
	2002		Review, New York Times , by Holland Cotter, Dec. 13,2002, page B40
			Feature, Out Magazine , Out 100 people of the Year, December 2002
			Review, Picture Puzzle, by Barbara McKenzie, Independent, Oct. 16, 2002, page 18
			Review, Rumpled Sheets, by Blue Greenberg, Herald Sun , Oct. 13, 2002
			Feature, How to Make it in the Music Biz, Curve Magazine , August 2002 pages 28-32
			Television interview, Southern Comfort, Dyke TV, originally aired March 2002
			Feature, Deliberately Visible: The Multiple Meanings of Tammy Rae Carland, by elin o’hara slavick,
			The Independent Weekly, January 2-8, 2002, page 14, 2 reproductions
	2001		Feature, Kings and Queens, by Jimmy Draper, San Francisco Bay Guardian, October 17, 2001, cover story
			Mr. Lady Rocks, by Pamela Grossman, Ms. Magazine, Oct / Nov 2001, pages 26-27
			Feature, A Home for Homocore, by Dave White, The Advocate , June 19, 2001
			Article, Indies 2001 Triangle Arts Awards, By Kat Parker, Independent, June 27, 2001, page 25
			Feature, En Garde, by Todd Fjelsted, Independent Weekly, September 5, 2001. pages 21-26, cover story
			Reproduction, Margaret Mead Made Me Gay: Personal Essays, Public Ideas, by Esther Newton, published by Duke
			Press 2001, original photograph used for front cover of book
			Reproduction, Lesbian Art in America, A Contemporary History ed. by Harmony Hammond,
	2000		Rizzoli Press, 1 reproduction, page 78
			Behind the Curtain, by Whitney Vaughan, The Independent Weekly, November 15-21, 2000
			Manifesta: Young Women, Feminism and the Future by Jennifer Baumgardner and Amy Richards,
			Farrar, Straus and Giroux press, published October 2000
			Article, Revenge of the Girl Bands, by Ann Cvetkovich and Gretchen Phillips, The Nation,
			July 10, 2000, pages 16-17
			Some Grrrls are Ladies, by Jutta Sommerbauer, Nylon, Vienna Austria, August 2000
			Girls + Guitars, by Evelyn McDonnell, Out Magazine, April 2000, page 83-87 and 139-142
	1999		Time Out New York, That’s Mr. Lady To You, by Amy Kellner, Oct. 14-21 1999, page 122
			Surveying the Scene, by Tara Mateik, Felix, 1999, pages 302-305
			Mr. Lady, Feminist Bookstore News, July/August 1999
			Out Magazine, Radar piece by Kathleen Hanna, March 1999, pg. 24
	1998		The Passionate Camera; Photography and Bodies of Desire edited by Deborah Bright,
			Routledge Press, 2 reproductions, Fall 1998
			Article, Taking Over, The Women’s Review of Books, Vol. XV, No. 6, pg.13, March 98
			Review, by Linda Johnson Dougherty, Art Papers, March-April 1998, page 54
			Review, I Came With the Rodeo, by Kimberly Yutani, Southern Voice, February 5, 1998
			Article, New! Newer! Newest! by Rachel Shrieber, New Art Examiner, Feb. 98
	1997		A Girl’s Guide To Taking Over The World: A Decade Of Girl Zines by T.Taormino and K.Green,
			St. Martins Press, pages 191-194 and 22 and 46
			Artist Page, Art Papers, Nov./Dec. 1997
	1996		Article, Corporeal Evidence: Representations of Aileen Wornous, Art Journal, by Miriam Basilio,
			College Art Association
			Review, New Art Examiner, by Cecilia Dougherty, October 1996, pages 34-36
			Review, Grrrls on Film, The Village Voice, by Evelyn McDonnell, November 12, 1996, pg.76
	1995		Reclaiming Stolen Histories, Grand Larceny Arts Journal, by Allison Shaw, Jan. 1995, 4 reproductions, pg. 12-15
			Artist page, A wretch like me, Whitewalls: a journal of language & art, ed. by Robert Blanchon
	1994		Film Threat by Tanya Laden, April 1994, Issue 15, pg. 55
			Review, Los Angeles Magazine, by J. Cutler, Aug. 1994, pg.12
			Feature cover story, Riot Bitch, San Francisco Weekly by Johnny Ray Houston, July 6, 1994, pg.12
			Feature cover story, Telling All With Rage And Wit, Los Angeles Times, by Maria L. LaGanga, Jan. 3,1994, pg.1
	1993		Review, The Rocket, by Johnny Renton, Dec. 8,1993, pg. 6

	LECTURES, PANELS, AND PRESENTATIONS
	2008		Artist Presentation and Panel, Tape Culture, 1986, Anna Helwing Gallery, Los Angeles CA
			Artist Presentation, New Langton Young Collectors Forum, Silverman Gallery, San Francisco CA
			Panel discussion, Feminist Roundtable, California College of the Arts, San Francisco CA
			The Way That We Rhyme, Panel discussion, Yerba Buena Center of the Arts, San Francisco, CA
			Feminist Roundtable, Panel discussion, California College of the Arts, San Francisco, CA
	2007		35 Years Later: Feminist Art Practice After Womanhouse, Co-chair of panel, College Art Association
			Annual Conference, New York, NY
	2005		Visiting Artist Lecture, Hammer Museum of Art, Los Angeles, CA
			Visiting Artist Lecture, University of California Irvine, Irvine, CA
			The Scholar and The Feminist Conference: Past Controversies, Present Struggles, Future Feminisms,
			Panel discussion, Barnard College
	2004		Inside of Inside, Chair of Panel Discussion, The Lab, San Francisco, CA
			On Photography I, Panel Discussion, The Wattis Institute, San Francisco, CA
			Queer Photo Salon, San Francisco Public Library, San Francisco, CA
	2003		Visiting Artist Lecture, Stetson University, Deland, FL
			Visiting Artist Lecture, DePauw University, Greencastle, IN
	2002		Towards Tomorrow, Video presentation and artist lecture
	2001		Third Wave Feminist and Popular Culture Panel Discussion, MIT, Cambridge, MA
			Faking It., Video presentation and discussion, Duke University, Durham, NC
	2000		Faking It., Video presentation and discussion, Ladyfest, Olympia WA
			Video presentation and discussion, gurl.com Film Festival, New York, NY
	1999		Trash; Unbroken, poor bodies, dirty, leaning, smoking, Panel at College Art Association Conference, Los Angeles, CA
			Voices From The Other Side of The Wall; Women in/and Prison, Panel at Women in the Director’s
			Chair Festival, Chicago, IL
			Visiting Artist Lecture, Brown University, Providence, RI
	1998		Interactivity and The Public Domain, Panel at Society For Photographic Education Conference, SF, CA
			Mr. Lady Presents, Video presentation and discussion, Artist Television Access, San Francisco, CA
			Mr. Lady Presents, Video presentation and discussion, Bard College, Annandale on the Hudson, NY
			Visiting Artist Lecture, The Five Colleges, Mt. Holyoke, MA
			Queer Visions, Film Studies Program, Duke University, Durham, NC
	1997		Visiting Artist Lecture, Rutgers University, New Brunswick, NJ
			Visiting Artist Lecture, University of Rochester, Rochester, NY
			Visiting Artist Lecture, The School of the Art Institute of Chicago, Chicago, IL
			The Index of Beauty, Panel at Society For Photographic Education Conference, Los Angeles CA
	1996		Visiting Artist Lecture, California Institute of Art, Valencia, CA
			She's Cracked, Video presentation and artist lecture at the Society For Photographic Education
			Annual Conference, LA, CA
			Apparitions in the Aperture, Panel at College Art Association Conference, Boston, MA
	1995		Visiting Artist Lecture, Institute of Fine Arts, New York University, New York, NY
			Strategies in Lesbian / Queer Self Representation, panel at the Society For Photographic Education
			Conference, Atlanta, GA
			Visiting Artist Lecture, Duke University, Durham, NC
			Visiting Artist Lecture, University of North Carolina, Chapel Hill, NC
			Visiting Artist Lecture, The School of the Art Institute of Chicago, Chicago, IL
	1994		Zine Theory / Zine Practice: Low End Radical Texts & Images, Panel at the Society of Photographic
			Education Conference, Chicago, IL
	1993		Presentation and reading at the A.R.T. Press Zine Conference, Los Angeles, CA

	COMMERCIAL WORK PUBLISHED
	2003		Venus, page38, September-October 2003
	2002		Out Magazine, December 2002
	2001		Ms., page 26, October – November 2001
			On Our Backs, front cover and pages 12-14, August –September 2001
			Venus, front cover, May-August 2001
			The Village Voice, page 35, May 29, 2001
			Pulse, page 7, May 2001
			Chicago Free Press, front page and page 37-38, April 11, 2001
			New York Blade News, page 17, April 6, 2001
			New York Blade News, page 17, April 6, 2001
			Time Out NY, page 19, April 5-12, 2001
	2000		Ms., page 86, September 2000
			Girlfriends, August 2000
			Out Magazine, page 46, June 2000
			Mondosonoro, Spain, February 2000
			Pulse, page 19, February 2000
			Spin, January 2000
	1999		Puncture, Winter 1999
			The Observer Review, UK, December 1999
			Alternative Press, page 92, December 1999
			The Village Voice, page 14, December 28, 1999
			Jane Magazine, page 32, November 1999
			The Advocate, page 90, November 9, 1999
			Time Out NY, page 124, October 14-21, 1999
			Mean Magazine, pages 15, 17-19, August 1999
			1998 Interview, page 60, December 1998
			Paper Magazine, page 110, November 1998
			Time Out, NY, page120, November 19-26, 1998
			Punk Planet, front cover and pages 37-44, No.27, 1998
			Out Magazine, page 58, September 1998
			San Francisco Bay Guardian, page 58, January 1998
	1997		Time Out, NY, page 30, April 10, 1997
			Jitter, UK, page 27, March 1997
	1996		Raygun, page 19, April 1996

	RECORDS /CDS COVER ART
	2001		The Butchies, 3, Mr. Lady Records
	1999		The Butchies, Population 1979, Mr. Lady Records
	1998		The Butchies, Are we not femme?, Mr. Lady Records
	1997		Kaia, Ladyman, Mr. Lady Records
	1995		Kaia, S/T, Chainsaw ? Candyass Records
	1993		The Fakes, S/T, Kill Rock Stars
	1991		Bikini Kill, Pussy Whipped, Kill Rock Stars

	TEACHING EXPERIENCE
	2002-present		Associate Professor, California College of the Arts, Oakland and San Francisco, CA
	1997-02		Assistant Professor, University of North Carolina, Chapel Hill, NC
	1995-97		Assistant Professor, DePauw University, Greencastle, IN

	RELATED EXPERIENCE
	Mr. Lady Records and Videos – Durham, NC and San Francisco, CA
	Co-founder and owner of Mr. Lady Records and Videos (1996-2005), an independent alternative record label and video art distribution company. I managed all the internal logistics of the business including recording and production schedules, promotions, manufacturing and finances. We started this company in 1996 and released 29 music projects and oversaw the distribution of 12 video artists. Mr. Lady and its artists received international press, web and television coverage.